Karnak Temple

Search for Ankhesenamon

Allah = AmonRa?

Copyright 2015 M7

Egyptian Parody Video

An Interesting Pro-Egyptian response to the original.
M7 2015.

My Egyptian Novels

Neferkheperura and the Legend of the Golden Pharaoh

Orthodox Pharaohism

"In Orthodox Pharaohism: Veneration of Ancient Kings, the Author (Pharaoh) Horus Michael presents a new perspective on honoring the Ancient Pharaohs of Egypt. You may read the Kings List while burning fragrant incense, thus honoring the Ancestors who built Civilization, and read some selected biographies of the Kings of the Two Lands. Meet Ahmoses who led the Canaanite-Hyksos (Israelites) out of Egypt and liberated the enslaved Egyptians, an inspiration for the Jewish Book of the Exodus, or Tutankhamon the Anointed One whose affair with an Egyptian Priestess and rumors of the Israelite Messiah compelled his Queen Ankhesenamon to write to the Hittites asking them for his replacement (A Hittite Prince to rule the Egyptian Empire with her). Also included are Celebratory Holidays, requirements for electing a Pharaoh from the College of Lector Priests, and an Egyptian-inspired Novel (Neferkheperura, C.2014). Copyright 2015 Horus Michael, All rights reserved."

Tutankhaton

 Egyptian Counter Magic

 Egyptian Counter Magic explains the effects of reading the written Magic Spells and other materials in artifacts, temples and monuments. Included are Protection spells, Counter Magic spells, Weather Manipulation and Money spells. This book is NOT intended for the beginning student.

Sakhmet's Effective Egyptian Magic Spells:
(revised edition)
 The KheriHeb Master Series presents Sakhmet's Effective Egyptian Magic Spells: Revised Edition. This book covers a wide range of Egyptian Magic spells on topics like acquiring psychic Energy, Counter Magic & Protection spells, Weather Manipulation, Financial, Medical-Healing, Legal Spells, City Spells, Love & Peace, Egyptian Necromancy, Chaos Magic, the Afterlife, Telepathic Hypnosis, etc. This Edition has been tested by other Participants prior to publication.
Copyright 2014 Horus Michael.

M7 2015.

The Drama of Life

Thursday, February 21, 2013

The Drama of Life

In Ancient Egypt, religious ceremonies took the form of Dramatic Performances similar to Greek Theater.  A Kheri-Heb Priest was their form of Film Director.  Other Priests were essentially Actors, performing a role while wearing a Mask or Costume, and reading lines from a text.  The ceremony was performed in the Temples to an audience of "worshipers."  Idols are a form of Award (i.e. Academy Awards) given to the Priest for his work.  Some statues were given offerings by the people, as offerings were both a form of Tax and revenue for the play.  Funerary plays included the Lamentation of Isis & Nephthys, the Death and Resurrection of Osiris, the Battles of Horus and Seth, etc.  Other plays served other reasons.

My ceremonies I conducted in the 1990s were similar.  I have no other priests so I did everything myself; in place of costumes or masks I used Letterhead and Identities; along with my Magical FX using Chronokinesis.  I am a KheriHeb Master.  This serves as an area of study in my profession as Archaeologist & Egyptologist.

M7 2013.

purpose of a Temple

The Purpose of a Temple

© Copyright 2012 M7C, All rights reserved.

In Ancient Times, the Gods appeared among the living – supernatural beings that when conversed with could influence the environment.  People would worship them for helping answer requests (prayers), by making offerings in a selected building, or Temple-Palace.  Talking to a God was the same as requesting an event.  When Gods were incarnate, or in human or animal bodies (“alive”), they were people with supernatural abilities not just someone claiming divine birth with no ability.  The Egyptian Pharaoh was a living God as well, so his Palace resembled a Temple – a columned building decorated in the finest artwork, with pools, gardens, libraries, colleges, and Temple Granaries (food storage, which acted as a grain bank – grain was their form of money).  A Priesthood was maintained to tend to the living God, as well as educate the people and perform religious or magical ceremonies.

Offerings were of grain (money), processed food and drink in containers, flowers, gems, processed cloth or textiles, books/scrolls, or the best that the citizens had to offer.  The food was so rich that it caused health issues among the priests, who ate the leftovers.  In return the Gods would create events like attracting prosperity to the country, winning foreign battles, causing rain in place of a drought, causing the Sun to appear during a storm, appeasing ancestral spirits, or personal issues of the people.  If the Gods were not satisfied for any reason, they would act in the world with their powers, in the form of Natural Disasters until the people made them happy again; monuments were another form of offering.

Temples were not places where Citizens went to converse with the Gods (Churches or Mosques), because they could pray at home to miniature statues of the Gods in a home shrine.  The statues were similar to photographs, images that reminded the people of what the Gods looked like.  They were not “worshiped” as idols, for the statues formed an element of the shrine.  The people needed to know the image of the God in order to direct their prayers, as with Visualization.  

Talking to a God / Divine incarnate is the same as praying or requesting.  The entity can cause an event by email, blogging, telephone, speaking, writing, thinking, or dreaming.  So for this reason silence is necessary to prevent “accidental requests.”  As living Gods can be anyone or anywhere, the people can request something in public and be assured someone will answer it.  

© M7C 2012.